
We’re proud to have one of the best microphone collections in the Bay
Area, not to mention some of finest outboard gear around. Although each studio
contains its own racks of outboard gear, the following pieces are shared between
our two rooms and can be reserved as needed.
AUDIO RECORDERS: Ampex ATR 102 (1/2" 2-track heads), Otari MTR10
1/4” two track, Marantz PMD-500 cassette (2)
EQ: GML Model 8200 Stereo Parametric EQ
NEAR FIELD: Genelec 1032, Genelec S30,Tannoy PBM 6.5, Yamaha
NS-10M
EFFECTS: TC M5000, dbx 902 DE-ESSER(2) dbx 263x DE-ESSER
DYNAMIC: EAR 660 Tube Limiter, Avalon VT 737 Tube Mic Pre,
Eq, Compressor (2), Distressor
MIC PRE-AMPS: Valley People Transamp (6), Telefunken V76
(2), V72
REVERB: EMT 162 Stereo Plate, Acoustic Chamber, Master Room
Spring
ADDITIONAL EQUIPMENT AVAILABLE AT NO EXTRA COST UNLESS INDICATED BY
ASTERISK:
MICROPHONES: AKG: C12 Tube (2), C12A Tube (4), 414 EB (2),
460B (2) [with (2) CK61, (1) CK1 and (1) CK 26 Omni Capsules], D12, D112 (2),
D224 L1; B&K: 4007; Beyer: 201 (2), M88, M69, MC713 (2), MC740; Crown:
PZM-315 (2); Electrovoice: 668, RE20; Neumann: U47 Tube (w/optional Omni,
Cardoid and Omnicardoid Capsules), U47 FET, M49 Tube, U67 Tube, U87, KM 84i
(5), KM54 Tube, KM184 (2); Pearl: DC63 (2), DC73 (2); RCA: 74 (ribbon), Lavalier;
Sony: C38; Sennheiser: MD421 (5), 441; Shure: SM7, SM57, SM58 (2), 546 (w/57
capsule)
SYNCHRONIZERS: Lynx Timeline Synchronizers (3), Opcode Studio
3 MIDI/SMPTE converter
MUSICAL ACCESSORIES: Wurlitzer,Fender Rhodes, Hammond B-3
Organ with Leslie, Seymour Duncan 100W Convertible Amp, Latin Percussion Congas
(2), Assorted Percussion